{"id":35810,"date":"1998-06-01T10:28:00","date_gmt":"1998-06-01T17:28:00","guid":{"rendered":"https:\/\/test-inside.ewu.edu\/willowspringsmagazine\/?p=35810"},"modified":"2025-02-14T11:49:05","modified_gmt":"2025-02-14T19:49:05","slug":"willow-springs-42","status":"publish","type":"post","link":"https:\/\/test-inside.ewu.edu\/willowspringsmagazine\/willow-springs-42\/","title":{"rendered":"Willow Springs 42"},"content":{"rendered":"
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Willow Springs 42<\/h2>\n\n\n\n

June 1998<\/h2>\n\n<\/div><\/div>\n<\/div>\n<\/div>\n\n
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Poetry<\/h2>\n\n\n
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FLOYCE ALEXANDER<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Peasant: A Triptych<\/a><\/h6>\n\n<\/div>\n\n
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RAPHAEL C. ALLISON<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

The Lime<\/h6>\n\n<\/div>\n\n
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TIM BARNES<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

The Caves of Joaquin Murietta: Evelyn and Sandalio  
The Storm that Wakes Us<\/h6>\n\n<\/div>\n\n
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HENRY CARLILE<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Davanti a la Ruina<\/h6>\n\n<\/div>\n\n
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PHYLLIS K. COLLIER<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

The Moonframer<\/h6>\n\n<\/div>\n\n
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TOM CRAWFORD<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Low IQ
Mother\u2019s Version<\/h6>\n\n<\/div>\n\n
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PHILLIP DACEY<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Taking a Shower with Daniel Ellsberg<\/h6>\n\n<\/div>\n\n
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JIM DANIELS<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Digger on the Nature Trail<\/h6>\n\n<\/div>\n\n
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J. EUGENE GLORIA<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

White Blouses<\/h6>\n\n<\/div>\n\n
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ROBERT GREGORY<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Diary
Halfway Vigil Poem<\/h6>\n\n<\/div>\n\n
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JESSE LEE KERCHEVAL<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

You Are Born, Everything Changes<\/h6>\n\n<\/div>\n\n
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NORBERT KARPF<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Helga on a Stool<\/h6>\n\n<\/div>\n\n
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JESSICA LAMB<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

The Invalid\u2019s Wife
Gift<\/h6>\n\n<\/div>\n\n
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DAVID LEE<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Conversation Overheard from a Back Booth  
Song E. U. Washburn Heard while Tending Roses<\/h6>\n\n<\/div>\n\n
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JOEL LONG<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Brass Buttons
The Iris Cut and Buried in a Hat Box<\/h6>\n\n<\/div>\n\n
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GEORGE LOONEY<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

The Body of a Lover is Colloquial at Best
Even when Birds are Quiet<\/h6>\n\n<\/div>\n\n
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PHYLLIS MANNAN<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Three Dreams of the Everlasting<\/h6>\n\n<\/div>\n\n
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GORDON MASSMAN<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

225<\/h6>\n\n<\/div>\n\n
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SIMONE MUENCH<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Loneliness<\/h6>\n\n<\/div>\n\n
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D. NURSKE<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Pennies for Flies  <\/h6>\n\n<\/div>\n\n
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VERONICA PATTERSON<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

She Was<\/h6>\n\n<\/div>\n\n
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FRANCES RICHEY<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Bones<\/h6>\n\n<\/div>\n\n
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MAXINE SCATES<\/span><\/strong><\/p>\n\n\n\n

The Current<\/h6>\n\n<\/div>\n\n
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DIANNE WILLIAMS STEPP<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Beach Seining Tuna Woleai Atoll<\/h6>\n\n<\/div>\n\n\n

Fiction<\/h2>\n\n\n
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MICHAEL HOBERMAN<\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Still the Jews<\/h6>\n\n<\/div>\n\n
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WILLIAM OREM<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

The Spiritual Exercises<\/h6>\n\n<\/div>\n\n\n

Willow Springs Fiction Award<\/h2>\n\n\n
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LESLIE LEEK<\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Fishing Killdeer Creek<\/h6>\n\n<\/div>\n\n\n

Poetry in Translation<\/h2>\n\n\n
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GIL JOUANARD <\/strong>(translated by CARLOS REYES<\/strong>)<\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Center of Gravity
Appearing Suddenly Out of Nowhere<\/h6>\n\n<\/div>\n\n
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JOSE KOZER <\/strong>(translated by ORLANDO RICARDO MENES<\/strong>)<\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Kafka
I\u2019ve Come to Call Thirteen Men<\/h6>\n\n<\/div>\n\n
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EDVARD KOCBEK <\/strong>(translated by SONJA KRAVANJA<\/strong>)<\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Sentence<\/h6>\n\n<\/div>\n\n\n

Review<\/h2>\n\n\n
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DOUG MARX<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Five Women Poets<\/h6>\n\n<\/div>\n<\/div><\/div>\n\n
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\"Willow<\/figure>\n\n\n\n

Willow Springs<\/em> 42 features poetry, prose, and translation by Tom Crawford, Jesse Lee Kercheval, David Lee, George Looney, and more. The issue also includes Leslie Leek\u2019s \u201cFishing Killdeer Creek,\u201d winner of the 1998 Willow Springs Fiction Prize, and a review by Doug Marx.<\/strong><\/strong><\/strong><\/p>\n\n\n\n

Order Issue 42<\/a><\/h4>\n\n\n
\n\nBack Issues<\/a>\n\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":9086,"featured_media":1144,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wpo365_audiences":[],"wpo365_private":false,"footnotes":""},"categories":[9],"tags":[],"class_list":["post-35810","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-back-issues"],"_links":{"self":[{"href":"https:\/\/test-inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/posts\/35810"}],"collection":[{"href":"https:\/\/test-inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/test-inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/test-inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/users\/9086"}],"replies":[{"embeddable":true,"href":"https:\/\/test-inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/comments?post=35810"}],"version-history":[{"count":2,"href":"https:\/\/test-inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/posts\/35810\/revisions"}],"predecessor-version":[{"id":38657,"href":"https:\/\/test-inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/posts\/35810\/revisions\/38657"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/test-inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/media\/1144"}],"wp:attachment":[{"href":"https:\/\/test-inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/media?parent=35810"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/test-inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/categories?post=35810"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/test-inside.ewu.edu\/willowspringsmagazine\/wp-json\/wp\/v2\/tags?post=35810"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}